Wizalnut · AI video and visibility in AI search

Nine years of video.Now a production line.

We specialise in AI video and everything that goes with it, so that both people and AI assistants like ChatGPT, Gemini and Perplexity can find you. We make it on our own AI production line: the camera, direction and taste stay human, and AI builds what would cost a film budget on set.

What we makeStart a project
Story

From a production company to an AI studio

We did not start with AI. We started with a camera, an edit suite and clients who wanted it to look good and arrive on time. That experience is what separates a good AI shot from a generated picture.

Nine yearsVideo as a craft

Spots, corporate films, events and documentary footage. Shooting, directing, editing and grading.

The shiftAI as a tool, not a trick

First single shots that could not be filmed. Then rules for making them equally well every time.

TodayAI Factory

A production line with proven methods, an archive of every shot and a human wherever taste decides.

AI Factory · the service

What you get

AI Factory is not software you buy. It is our production line, and you get the finished result: delivered, approved and in every format you need.

VideoSpots and AI shots for the edit

From brief to a finished spot with voice-over, or AI shots that complete filmed footage where a crew would not be enough.

Delivered: a 15–60 s master, smooth 50 fps motion, social formats.
A 1969 football match recreated as a film still
VisualsA campaign from one approved master

You approve the key visual once. Every aspect ratio and variant is derived from it, nothing is regenerated and nothing drifts.

Delivered: 1:1, 4:5, 16:9, 9:16 with social safe zones.
3D maskot
CharacterTalking characters and mascots

A founder, a guide or a mascot that speaks your script and looks the same in every shot, because its appearance is written down as rules.

Delivered: clips for screens, kiosks or holograms, in Slovak and other languages.
Hours of footage → a ready selects bin
Post-productionEvents, interviews and short formats

We sort raw event footage into an organised selects project for the edit, and cut long interviews into vertical clips with captions.

Delivered: a Premiere project with named sequences, reels with exact timecodes.
Video → AI answer
SearchVideo that AI can find

AI assistants don't watch video, they read the text around it. So every video comes with a transcript, captions, a description and structured data that search engines and ChatGPT, Gemini or Perplexity can draw on. Nobody can guarantee a mention in AI answers, but we prepare the content for it. Read the article

Delivered: video with transcript and captions, a description, structured data (schema.org VideoObject) and a page or article for your website.
How it runs

You pay for the final, not for the attempts

Composition is set in a simple 3D scene where every attempt is free. Only when it works do we generate. And only once you approve a version is everything else derived from it.

1
Briefwhat the result must do and for whom, facts checked against sources
2
Blockinga grey 3D scene: camera, lens and positions at no generation cost
3
Generationthe final image gets finished geometry, one change per revision round
4
Version approvalyou decide by eye, every version is numbered and recoverable
5
Masterthe approved version anchors motion, voice and further shots
6
Formatsevery ratio and variant derived from the master, nothing remade
done by the linedecided by a human
Final shotBlocking in Blender
BlockingFinal
Drag: on the left the grey Blender scene, on the right the final shot from the same camera.
  • Blocking firstcamera and composition are set on a simple scene, generation receives a finished frame
  • One change per roundeach revision changes a single thing, so it is clear what helped
  • Every shot is versionedapproved versions are recorded, nothing gets lost between feedback rounds
  • Smooth motionevery AI video ships at 50 frames per second
Shoot · studio, iPhone
Final · same camera move
The camera, the movement and the people are real. AI built the world that cannot be filmed.
Case · Pelikán

A mascot that looks the same in every destination

A travel agency's character written down as rules: beak, feathers, wings and proportions. The system enforces them on every new image and video, including when the mascot speaks.

Pelikán full figure Pelikán in a destination Pelikán in a destination Pelikán in a destination
Case · Pelikán · a hotel in Paris

A stop-motion spot from a luxury hotel

A vertical spot for a stay at a Parisian hotel: nineteen shots, from the façade through the interiors to a walk around the city, assembled frame by frame as stop-motion. Every frame is a separately generated image, not interpolation. The camera only ever moves forward, and light leaks soften the cuts.

Format9:16 for social, 16 seconds
TechniqueAI stop-motion, 19 shots, light leaks on the cuts
Case · Thrivo

From brief to a live microsite

The product pack stays exact while the world around it changes. Lifestyle shots, product stills and claim checks for a regulated category in one system.

Thrivo microsite
Evening with the product
How we work · built on Claude

A human runs the line. Claude works beside him.

What Claude does

Runs the production line: plans the steps, checks the brief against sources, writes and guards the scripts, keeps the version archive and helps with proposals, contracts and budgets.

What other tools and people do

Images and video are generated by specialised models, 3D scenes are built in Blender, and the final edit, grade and approval are done by a human.

Blog

Notes on how we work

8 October 2026 · 2 minVideo that AI can find

More and more questions go to an AI assistant instead of a search engine. What that means for video, and what we do about it.

Read →2 October 2026 · 3 minFrom logo to character. From character to star.

What you can do when a brand has nothing but a logo: Pelikán's path from a 2D mark to a talking 3D character in cinemas and on a giant LED.

Read →2 October 2026 · 3 minWhat surrounds the model

The AI tools we actually use for video, and why the result depends on what's built around them.

Read →
All articles
FAQ

What people ask us

How much does an AI video cost?

It depends on the scope: length, number of shots, a character or voice, and the number of formats. After a short call you get a fixed price, and before you order you see a test shot so you know the direction. You pay for a finished, approved result, not for attempts.

How long does AI video production take?

We agree on the deadline up front, together with the scope and rounds of feedback. The production line keeps it fast: composition is set in a simple 3D scene where every attempt is free, and only what works gets generated.

Does AI video look like a generated image?

It shouldn't. Camera, direction, editing and colour stay human; AI only builds what can't be filmed or would cost a film budget. Every AI video goes out at a smooth 50 frames per second.

Can you combine AI shots with filmed footage?

Yes. We film or use your footage and AI adds the environment or shots a crew couldn't manage. Camera movement and people stay real.

Can you create a mascot or character that always looks the same?

Yes. We write the character's look down as rules (shape, colours, proportions) and the system checks them on every new image and video, even when the character speaks. That is how we work with the Pelikán travel agency mascot.

Will video help ChatGPT, Gemini or Perplexity find me?

AI assistants don't watch video, they read the text around it. So every video comes with a transcript, captions, a description and structured data. Nobody can guarantee a mention in AI answers, but we prepare the content for it.

What formats will I get?

A 15 to 60 second master and every ratio you need from it: 9:16, 1:1, 4:5 and 16:9, with social media safe zones. Nothing is remade; everything is derived from the approved version.

Who is behind Wizalnut?

Wizalnut is the AI video studio of Epic production s.r.o. from Stupava, Slovakia, built on nine years of video work: commercials, corporate films, events, shooting, directing, editing and colour.

How to start

Let's start with one shot

Conversation

What the result must do, for whom and where it will live. We look at what you have already filmed.

Test shot

One shot or visual, in blocking and as a final, so you see the direction before anything is ordered.

Production

Scope, deadlines and feedback rounds agreed up front, versions approved step by step.

Nine years of video.
Now a production line.
Get in touch
hazelnut@epicproduction.sk
+421 904 146 414